Blue
"The Blues" are played from Memphis to Mali. An intimate show involving original live music, innovative lighting, and interactive video projection, BLUE took place within a specially constructed installation, the ‘Blues Shack’. The audience were invited to enter this ‘wonderland’ evoking the sights, sounds and smells of the deep south, and spending some time with Belle, Lightnin’, Champion, Ace, Skip and Big Jack as they awaited the arrival of their train. Blue toured special schools in the UK in summer 2006 and from May to October 2007 including a three-week residency at the Unicorn Theatre, London.
"What's interesting about the work is the way it breaks down all the traditional barriers between performer and audience and the rules that cast the actors as active and the audience as passive. The show opens with the children offering up the contents of their own "blues boxes" of precious memories and objects. This is not a theatrical experience that you watch, but one that you all share. Other contemporary theatre-makers should take note."
- Lyn Gardner, Guardian Unlimited, July 2006
Conference of the Birds
Inspired by the 12th century Persian poem, Conference of the Birds took place within an enchanted, nest-like environment. Live music, based on traditional Persian forms, incorporated the young people's names into improvised lyrics as they reclined in gently swaying suspended chairs. The show featured a number of successful innovations, in particular a strand for young people with an additional autistic spectrum disorder and the extensive use of projected video to enhance self-awareness. Conference of the Birds toured from June to October in 2004 and from June to July in 2005.
"Every once in a while one discovers a theatre show so special, so beautifully crafted and so emotionally affecting that one feels simply privileged to have experienced it. Conference of the Birds is such a production.
"I have no embarrassment in saying I was quite moved to tears by the enthusiasm, joy and contentment which is achieved by this most impressive of theatre productions." * * * * * 5 Stars
- Mark Brown, Sunday Herald, June 2004
"A beguiling mixture of art and therapy... It is impossible to know precisely what the children feel; all one can say is that they reacted with visible curiosity to a succession of sensory stimuli. With six performers, [Tim Webb] has created a work that reduces theatre to its simplest ingredients: a story, a message, a succession of physical sensations.
It is all done with tact and charm. As for whether it is theatre or therapy, the point seems academic. It simply reminds one that all art, if it's any good, has a curative aspect." * * * * Four Stars
- Michael Billington, The Guardian July 200